
When the local charity raises some sorely needed cash with
the help of the station, make sure you hold one end of the large presentation cheque
and point to the amount of the ‘boost’, grinning stupidly. After all, you truly are ‘in tune’; and you have
‘hit the right note’. Similarly, a station
must be ‘rapped’ if it ‘hits the wrong note’.
"DJ Mary Anne Hobbs is hitting the right note" (Manchester Evening News March 2013"
As for understanding audience figures, it is obligatory for
press to fail to grasp the intricacies of Rajar; and the fact that if a station
loses a couple of thousand listeners it might, in reality, have done better than
last time. Mind you, that would confuse
me too; and the press must get pretty sick of us all being ‘delighted’.
New presenters never leave one station for another. Oh no,
they are ‘poached’. If they are not
poached they are ‘axed’. Probably by ‘station chiefs’. Both sound painful. When life gets really
tough for a 'motormouth' or 'bonkers' DJ, then it’s just got to be a case of ‘DJ in a spin’. Even if you've 'scooped' an award, which will doubtless be a 'Radio Oscar', whatever it is.
Be sure to let the press know the name of your station. Without
knowing the correct answer, there’s a risk they might accidentally get it
right. Tell them the correct answer, and they can avoid it. They’ll use ‘FM’ where
you have ‘radio’; and vice versa. If you have a brand and no suffix they’ll
dream one up for you. It’ll naturally be one which has never been on ‘the
airwaves’. Those lovely airwaves. Does that word ever appear anywhere in real
life apart from a newspaper?

Since first writing this blog, I was amused to read coverage of the end of the redoubtable award-winning 'Beryl and Betty' on BBC Radio Humberside. The Daily Mail duly informed us that the pair planned to 'hang up their mics'. Just like we all do at the end of our shows. What? Headphones, I guess, can be hung up, and that alliterates usefully too. But hanging up a mic?
Thanks for another enjoyable read David! I do sometimes wonder if the newspapers deliberatly belittle radio, particularly local commercial radio sometimes perhaps because they feel threatened by it. Then at other times I think radio is its own worst enemy by going along with the naff photo ideas, desperatly courting the publicity and giving away outdated crap like 'goodie bags' on air. It's interesting though that the cliches you speak of are much more readily applied to presenters who are ONLY known for their radio work. No-one would talk about Ryan Seacrest, Jonathan Ross or Fearne Cotton in the way you describe. Perhaps it's another reason stations don't want 'DJs' or 'presenters' these days, but 'multi media brands'. Wondering what you think of this guy http://www.zachsangandthegang.com/ as an example of the shape of things to come?
ReplyDeleteI think there's some truth in that (I mused on 'future presenters' in another blog!); but whatever other platforms are utilised, the most memorable radio will always be about a conversation.
ReplyDeleteThanks for sharing, nice post! Post really provice useful information!
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